Preparing to commit again

“I had written a lot, done work of much difficulty; had worked under pressure more or less since my schooldays. Before the writing, there had been the learning’ writing had come to me slowly. Before that, there had been Oxford; and before that, the school in Trinidad where I had worked for the Oxford scholarship.

There had been a long preparation for the writing career! And then I discovered that to be a writer was not [as I had imagined] a state–of competence, or achievement, or fame, or content–at which one arrived and where one stayed. There was a special anguish attached to the career: whatever the labor of any piece of writing, whatever its creative challenges and satisfactions, time had always taken me away from it.

And, with time passing, I felt mocked by what I had already done; it seemed to belong to a time of vigor, now past for good. Emptiness, restlessness built up again; and it was necessary once more, out of my internal resources alone, to start on another book, to commit myself to that consuming process again.”
V.S.Naipaul in The Enigma of Arrival


The magic of a sentence

“Once a year, in late August, he cut the tall grass and stalky weeds in the old orchard, where in the hollow knots of untended trees nestlings cheeped in the spring, and the trees themselves grew on, flowering at the correct time, bearing fruit, dropping fruit, attracting wasps.”
≈V.S. Naipaul in The Enigma of Arrival